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The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.67 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Stickshifts And Safetybelts
Choral TTBB
Choral Choir,Choral,TTBB Chorus - Level 4 - Digital Download SKU: A0.1419157 By Cak…
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Choral Choir,Choral,TTBB Chorus - Level 4 - Digital Download SKU: A0.1419157 By Cake. By John McCrea. Arranged by Aaron Dale. A Cappella,Barbershop,Pop. 9 pages. Aaron Dale #1000588. Published by Aaron Dale (A0.1419157). Male acapella arrangement.
$2.99
2.75 €
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Choral TTBB
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Cake
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Stickshifts And Safetybelts
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Aaron Dale
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SheetMusicPlus
Stickshifts And Safetybelts
Choral TTBB
TTBB Chorus,Voice - Level 4 - Digital Download SKU: A0.1419156 By Cake. By John McC…
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TTBB Chorus,Voice - Level 4 - Digital Download SKU: A0.1419156 By Cake. By John McCrea. Arranged by Aaron Dale. A Cappella,Barbershop,Pop. Barbershop Quartet. 9 pages. Aaron Dale #1000587. Published by Aaron Dale (A0.1419156). Male acapella arrangement.
$19.99
18.41 €
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Choral TTBB
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Cake
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Stickshifts And Safetybelts
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Aaron Dale
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SheetMusicPlus
Home
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.865849 By Phillip Phillips…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.865849 By Phillip Phillips. By Drew Pearson and Greg Holden. Arranged by Charles Beale. Rock. Octavo. 15 pages. Charliebmusic #4988499. Published by charliebmusic (A0.865849). This arrangement of the Phillip Phillips classic 'Home' has become the surprise hit of Charlie’s arranging canon. It has been sung by many TTBB and SATB choirs in the US and around the world. Anthemic, triumphant and celebratory, ‘Home’ is a country rock medium tempo hit, originally sung on 'America's Got Talent'. The song tells the world (and the audience!) not to be afraid in dark times. It asserts that ‘this is my home’, this is the safe place where I have the right to belong. 4 parts, medium difficulty, involves some fun falsetto to 'oo'.
$1.99
1.83 €
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Choral TTBB
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Phillip Phillips
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Home
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charliebmusic
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SheetMusicPlus
Live And Let Die
Choral TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.856209 By Wings. By Linda …
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.856209 By Wings. By Linda McCartney and Paul McCartney. Arranged by Liz Garnett. Film/TV. Octavo. 5 pages. Liz Garnett #4312145. Published by Liz Garnett (A0.856209). The McCartneys' title tune for the 1973 Bond theme is mercurial in its mood shifts. Whilst a relatively short song in duration, it covers a wide range of musical and emotional worlds, from wistful ballad to driving rock, and it ends with a harmonic harmonic handbrake-turn that tells you that nobody is safe in this narrative world.Vocal Ranges:Tenor: D4 - C5Lead: D3 - A4Bari: B flat 2 - F4Bass: G flat 2 - C4www.HelpingYouHarmonise.com
$2.99
2.75 €
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Choral TTBB
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Wings
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Live And Let Die
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Liz Garnett
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SheetMusicPlus
Chinatown My Chinatown-Barbershop Men, TTBB, Chorus, Quartet
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.836314 Composed by Jean Sc…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.836314 Composed by Jean Schwartz, WM. Jerome. Arranged by Mark Goodney. Film/TV,Folk,Musical/Show,Traditional. Octavo. 5 pages. Mark Goodney #5210497. Published by Mark Goodney (A0.836314). Just a few minor changes to the original lyrics to make them politically correct, and a beautiful melody and song appropriate harmonies are safe to sing again. Suitable for BHS contests
$4.51
4.15 €
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Choral TTBB
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Jean Schwartz, WM
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Chinatown My Chinatown-Barbershop Men, TTBB, Chorus, Quartet
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Mark Goodney
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SheetMusicPlus
Spirit In The Night
Choral TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1350517 Composed by…
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1350517 Composed by Bruce Springsteen. Arranged by Bob Eggers. Blues,Contemporary,Rock. 15 pages. ROBERT J EGGERS #935324. Published by ROBERT J EGGERS (A0.1350517). Wild Billy, Hazy Davy, Crazy Janey, Killer Joe, G-Man and Mission Man take a trip up to Greasy Lake for a wild night of fun and freedom in this Bruce Springsteen hit from the 1972 album, Greetings From Asbury Park. It's all temendous fun, and the beauty of the driving rock/gospel treatment is the audience gets to participate in the rockin' call and response of the chorus. Nothing like that to bring an audience to its feet!This arrangement features a tenor solo and TTBB voices singing an active background, so the entire choir participates in furthering Mission Man's narrative of wild times on Saturday night. The style is an educated doo-wop with influences classical choral arranging. While not perfectly suited to average church social, the song's redeeming qualities are the straight up blues and gospel influences of the early 1970s while the content is safely PG-13.The difficulty level is Intermediate with a desire to tear the house down. A strong tenor soloist is required. This is a showstopper!Duration: 4:40.
$1.99
1.83 €
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Choral TTBB
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Bruce Springsteen
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Spirit In The Night
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ROBERT J EGGERS
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SheetMusicPlus
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